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Author: Dobuzhinsky M.V.
Year – 1932 Size – 30x18. Technique Paper, mixed media.
Year – 1937 Size – 33x24. Technique Paper, watercolor, whitewash, mixed media. Description: Monogram and date lower right. Monogram bottom left.
Author: Benois A.N.
Year – 1930s Size – 31.5x24. Technique Paper, watercolor, mixed media. Description: Author's inscriptions on the sheet.
Author: Siidova I.
Year – 1940s Size – 29.5x20.7. Technique Paper, gouache.
Author: Unknown author
Year – 1927 Size – 25.5x14.5. Technique Paper, mixed media. Description: The signature is illegible: “AN(?)”. Good condition.
Year – 1927 Size – 25.5x17. Technique Paper, mixed media. Description: The signature is illegible. Good condition.
Year – 1926 Size – 55.3x77.5. Technique Paper, mixed media. Description: Monogram bottom left.
Year – 1911 Size – 31x44. Technique Tracing paper, ink. Description: Signed lower right.
Author: Almedingen B.A.
Year – 1927 Size – 36x27. Technique Paper, mixed media. Description: Monogram and date lower right.
Size – 22.2x14.6. Technique Paper, pencil, ink, watercolor, gouache, silver, gold. Description: Signed below. Date top left. The work comes from the artist's family.
Author: Marche A.
Year – First half of the twentieth century. Size – 33.5x22.7. Technique Paper, see technique. Description: Stamp bottom left. Work registered at the Wildenstein Institute.
Year – 1927 Size – 36.5x27.5. Technique Paper, mixed media. Description: Monogram and date lower right.
Year – First third of the twentieth century. Size – 19x11.5. Technique Paper, pencil.
Author: Pogany Willie
Year – 1917-1918 Size – 34.5x27. Technique Cardboard, pencil, gouache, ink, gold paint. Description: Costume design for the play "The Golden Cockerel".
Author: Bilinsky B.K.
Year – 1930s Size – 33.9x23.5. Technique Paper, graphite pencil, watercolor. Description: In the lower left corner is the author's signature: “B. Bilinsky".
Author: Ushin N.A.
Year – 1930s Size – 24x15. Technique Paper, gouache, ink. Description: Provenance: from the artist’s heirs.
Author: Zhedrinsky V.I.
Year – 1930s Size – 29.3x22.5. Technique Paper, graphite pencil, watercolor. Description: In the lower right corner is the author’s signature in graphite pencil: “V.I. Zhedrinsky."
Author: Bruni T.G.
Year – 1960s. Size – 39x30. Technique Mixed media on paper. Description: Monogrammed lower right.
Year – 1953 Size – 24.5x15.9. Technique Paper, pencil, watercolor. Description: Signed and dated lower left.
Year – 1928 Size – 22x16. Technique Paper, pencil.
Year – 1930s Size – 24.5x15.5. Technique Paper, watercolor, mixed media. Description: Author's inscriptions on the sheet. Costume design for the ballet by I.F. Stravinsky "Petrushka" No. 10.
Author: Degai A.N.
Year – 1920s Size – 30x23.7. Technique Paper, mixed media.
Year – 1949 Size – 34.2x26.8. Technique Paper, pencil.
Author: Shterich P.A.
Year – 1939 Size – 37x55. Technique Paper, gouache. Description: The work comes from the collection of the artist's family.
Year – First third of the twentieth century. Size – 22x16.6. Technique Paper, pencil.
Year – 1964 Size – 33x21. Technique Paper, gouache.
Year – 1917-1918 Size – 34.5x26. Technique Cardboard, pencil, gouache, ink, gold paint. Description: Costume design for the play "The Golden Cockerel".
Year – First third of the twentieth century. Size – 22x17. Technique Paper, pencil.
This section presents graphic arts that are connected with theater and scenography. The Sovkom gallery has a large collection of works created by Russian and foreign masters for theater and cinema.
Scenography. This is the art of creating the visual image of the performance using costumes, stage equipment, lighting and stage settings. Scenography uses the means of painting, sculpture, architecture, decorative arts to develop the content and style of a theatrical performance, increasing its impact on the viewer. The development of scenography is connected to the development of fine arts, theater and playwriting. Elements of theatrical art developed from the most ancient games and customs: masks, costumes, etc. By the 5th century B. C., the theater of Ancient Greece, besides skene, also had three-dimensional stage sets, which in the Hellenistic era were combined with the pictorial ones. The theatrical principles of the Ancient Greece were adopted by the Ancient Roman theater, which started using a curtain.
Russian scenography buy. Russian theatrical graphic arts buy. Russian scenography of the first decades of the 20th century is one of the most vivid pages in the history of the world art. Many Russian artists that worked for the domestic theatrical scene became known in Europe due to Diaghilev’s Russian Seasons, and later continued working for the theater after they emigrated.
As a result, their artistic heritage became dispersed between multiple foreign museum and private collections. The collection of the Sovkom gallery includes a large archive of the works of theatrical and scene graphic arts. These are sketches of costumes and stage sets, portraits of actors. The great Russian graphic artistsare represented in our collection by the theatre-related works of B. A. Almedingen, A. N. Benois, M. V. Dobuzhinsky. Their works are characterized by exceptional picturesqueness and fine skill in reproducing the character and style of art of different eras. These artists participated in the tours of Russian opera and ballet in Paris organized by S. P. Diaghilev since 1907 (Russian Seasons abroad) and were inspired by the idea of a harmonious unity of dance, music, dramatic plot and figurative embodiment through plastique. Stage sets that they created were noted for their amazing combination of picturesqueness, fantasy, good taste and coloristic integrity of the costumes and stage environment, thus helping to revitalize scenography abroad as well as within the country.
Sell theatrical graphic arts. This is one of the popular requests that our customers often address to us. Send us images and descriptions of theatrical graphic works that you want to sell with our help. We will be happy to work with you.
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