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Russian graphics

 Lot   Description Valued price
Overgrown pond.
№ 1 Overgrown pond.

Overgrown pond.

AuthorKryzhitsky K.Ya.

Year – 1903
Size – 24.5x31.5.
Technique Paper on cardboard, watercolor.

Description:
Signed lower left. The work was exhibited at the exhibition of paintings “Russian artists of the 18th - early 20th centuries from private collections in Leningrad” in 1955 and published in the catalog of the exhibition of works: Leningrad, 1955. P. 50.

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Seated nude model in socks.
№ 4 Seated nude model in socks.

Seated nude model in socks.

AuthorTyrsa N.A.

Year – 1920s
Size – 36.3x22.5.
Technique Gray paper, pencil.

Description:
Expertise by V.S. Silaeva.

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Dunyasha.
№ 5 Dunyasha.

Dunyasha.

AuthorBychkov V.P.

Year – 1909
Size – 21x17.
Technique Paper, gouache.

Description:
Signed and dated lower left.

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Cimmerian landscape.
№ 6 Cimmerian landscape.

Cimmerian landscape.

AuthorVoloshin M.A.

Year – 1931
Size – 13.3x17.3.
Technique Paper, watercolor.

Description:
Author's monogram and date in the lower left corner.

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Red landscape.
№ 7 Red landscape.

Red landscape.

AuthorTarkhov N.A.

Size – 27x40.4.
Technique Paper, watercolor.

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Nude.
№ 9 Nude.

Nude.

AuthorTyrsa N.A.

Year – 1910s
Size – 33.8 x 21.
Technique Paper, pencil.

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Apple saved.
№ 10 Apple saved.

Apple saved.

AuthorKurmanaevsky V.P.

Year – First half of the twentieth century.
Size – 33x44.5.
Technique Paper, gouache.

Description:
Signed lower left.

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Portrait of a philanthropist.
№ 11 Portrait of a philanthropist.

Portrait of a philanthropist.

AuthorSerebryakova Z.E.

Year – 1941
Size – 61.5x44.5.
Technique Paper, gouache.

Description:
Signed and dated lower right.

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Illustration for "The Song about the Merchant Kalashnikov" by M.Yu. Lermontov.
№ 12 Illustration for "The Song about the Merchant Kalashnikov" by M.Yu. Lermontov.

Illustration for "The Song about the Merchant Kalashnikov" by M.Yu. Lermontov.

AuthorApsit (Apsitis) A.P.

Year – Beginning of the 20th century.
Size – 28.8x24.5.
Technique Cardboard, mixed media.

Description:
Monogram bottom right. Under the image there is a stamp “The drawing was sold into the ownership of Semyon Alkseevich Baranov. Artist Apsit.”

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Oprichnik.
№ 13 Oprichnik.

Oprichnik.

AuthorVladimirov V.V.

Year – 1900s
Size – 20x13.
Technique Paper, watercolor.

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Lady with a lorgnette.
№ 15 Lady with a lorgnette.

Lady with a lorgnette.

AuthorGromov A.A.

Year – 1927
Size – 27x20.
Technique Paper, watercolor.

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Model.
№ 16 Model.

Model.

AuthorTyrsa N.A.

Year – 1910s
Size – 43.5x34.2.
Technique Paper, coal.

Description:
Grandson's confirmation is on the back.

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Sunset.
№ 17 Sunset.

Sunset.

AuthorTarkhov N.A.

Year – Beginning XX century
Size – 40x31.
Technique Paper, watercolor.

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Delicious lunch.
№ 18 Delicious lunch.

Delicious lunch.

AuthorMarevna (Vorobyova-Stebelskaya) M.B.

Year – 1950
Size – 27x20.
Technique Paper, pen.

Description:
Signature, date and title: MAREVNA - 50 “Ja dinell”, bottom left.

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Altar of the Church of Santa Maria Assunta. Venice.
№ 19 Altar of the Church of Santa Maria Assunta. Venice.

Altar of the Church of Santa Maria Assunta. Venice.

AuthorBenois A.N.

Year – 1938
Size – 27x20.5.
Technique Paper, watercolor, ink.

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Portrait of Nikolai Stepanovich Pozdnyakov.
№ 20 Portrait of Nikolai Stepanovich Pozdnyakov.

Portrait of Nikolai Stepanovich Pozdnyakov.

AuthorSomov K.A.

Year – 1910
Size – 44.2x28.
Technique Paper, pencil.

Description:
Signed and dated lower left. Expertise of NINE im. P.M. Tretyakov. The presented portrait took part in the anniversary exhibition of K.A. Somov in 1969 at the State Russian Museum. The catalog for this exhibition lists the previous owners of the work. The first to be mentioned was the person being portrayed, N.S. Poznyakov. Then the work was in the collection of G.S. Torsuev and in the 1960s it moved to the collection of literary critic and translator Evgeniy Anatolyevich Gunst (1901-1993).

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Portrait of girls.
№ 21 Portrait of girls.

Portrait of girls.

AuthorMarevna (Vorobyova-Stebelskaya) M.B.

Year – 1945
Size – 64x95.
Technique Paper on cardboard, pencil, watercolor.

Description:
Signed and dated lower left.

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Cossack freemen.
№ 22 Cossack freemen.

Cossack freemen.

AuthorRepin I.E.

Year – 1880s - 1900s
Size – 22.5x33.2.
Technique Paper, mixed media.

Description:
Expertise O.S. Glebova. Signed lower left.

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Illustration for Guy de Maupassant's novel "Beloved Friend".
№ 23 Illustration for Guy de Maupassant's novel "Beloved Friend".

Illustration for Guy de Maupassant's novel "Beloved Friend".

AuthorRudakov K.I.

Year – 1930s
Size – 24x17.
Technique Paper, pencil, whitewash.

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Along a country road.
№ 24 Along a country road.

Along a country road.

AuthorEgorov A.A.

Size – 12x22.
Technique Paper, gouache.

Description:
Signed lower left.

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Rabbits.
№ 25 Rabbits.

Rabbits.

AuthorTarkhov N.A.

Year – 1900s
Size – 47.5x61.5.
Technique Paper, pencil.

Description:
Signed lower left.

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Boy in a cap.
№ 26 Boy in a cap.

Boy in a cap.

AuthorDobuzhinsky M.V.

Year – 1929
Size – 31x21.
Technique Paper, coal.

Description:
Signed and dated lower right.

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Crimea.
№ 27 Crimea.

Crimea.

AuthorLansere N.E.

Year – 1929
Size – 21x27.
Technique Paper, watercolor.

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Fountain.
№ 28 Fountain.

Fountain.

AuthorMakovsky K.E.

Year – Con. XIX century
Size – 17x19.5.
Technique Paper, watercolor, gouache.

Description:
Signature top left.

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Cupids in the park.
№ 29 Cupids in the park.

Cupids in the park.

AuthorMakovsky K.E.

Year – 1880s
Size – 22.5x14.5.
Technique Paper, gouache, watercolor, whitewash.

Description:
Expertise by Petrov V.A. Signature lower right.

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Tavern "Venice" in Pavlovsk.
№ 30 Tavern "Venice" in Pavlovsk.

Tavern "Venice" in Pavlovsk.

AuthorFindeizen L.N.

Year – 1913
Size – 20.5x19.
Technique Paper, watercolor, ink.

Description:
The drawing was published in the magazine "Lukomorye".

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The ceremonial entry of Their Imperial Majesties into Moscow. August 17, 1856
№ 31 The ceremonial entry of Their Imperial Majesties into Moscow. August 17, 1856

The ceremonial entry of Their Imperial Majesties into Moscow. August 17, 1856

AuthorTimm V.F.

Year – Con. XIX century.
Size – 36x55.
Technique Lithography.

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Traveler on horseback.
№ 32 Traveler on horseback.

Traveler on horseback.

AuthorSavitsky G.K.

Year – First half of the twentieth century.
Size – 13x17.
Technique Paper, watercolor.

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I'll dance with Mishka.
№ 33 I'll dance with Mishka.

I'll dance with Mishka.

AuthorMarevna (Vorobyova-Stebelskaya) M.B.

Year – 1950
Size – 22.5x31.
Technique Paper, pen.

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The bishop's passage.
№ 34 The bishop's passage.

The bishop's passage.

AuthorKustodiev B.M.

Year – 1921
Size – 32x40.5.
Technique Autolithography.

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The graphics of Russian artists are distinguished by outstanding achievements in the world history of art. The principles of Russian graphics were established in the 18th – 19th centuries and developed to its’ maximum in the 20th century. The collection of graphics of the 20th century is the biggest one in our funds where one can follow the development of Russian graphics from the traditions established by the movement “World of Art”, the Itinerants and the Union of Russian Painters to the present day. The basic principles of Russian graphics are the feeling of uniqueness and the beauty of every moment, the high level of professional graphics culture.

The collection of late 20th century graphics is defined by the variety of authors’ attitudes towards the search for themes and styles and the technical performance. In that regard, the drawings and watercolors of the 1970 - 1980’s artists stand out. The “Sovkom” gallery possesses works of the leading masters of graphics of that period.

Buy Russian graphics. Very often, the fact of the choice itself already means aesthetic valuation. A collector buys what in his or her opinion has unfading artistic value. Besides knowledge and expertise, a collector should have great insight, a sharp eye and pure taste. We believe that the works we offer our clients meet all these demands. Among various art movements in our collection the movement “World of Art” is mostly highlighted, with its works of Alexander and Albert Benoit, K. Bogaevsky, D. Kardovsky, B. Kustodiev, F. Malyavin, N. Roerich, as well as Art Nouveau in Russian graphics. We would like to mention, that many works have been preserved in their authentic frames. It is especially important for Art Deco and Art Nouveau graphic works, where portraits, landscapes, retrospective compositions have decorative effect and an incline for symbolic ambiguity.

Russian avant-garde in graphics is represented by a big collection of A. Ekster, A. Lapin, unknown artists, whose works have the spirit of suprematism, constructionism, futurism and cubo-futurism.
Russian folk graphics is represented by works of Glinka, Kardovsky, Malyavin, Yakunchikova.
We have works of great Russian graphic artists in our collection, such as I. Repin, K. Savitsky, I. Shishkin, N. Roerich, I. Golovin, A. Benoit. Their portraits, landscapes, retrospective compositions have decorative effect and an incline for symbolic ambiguity.

Sell Russian graphic works. This is one of the most frequent questions we receive.
We purchase the following types of Russian graphic works in our collection: original and printed graphic works of the 18-20th century, Russian landscape graphics, and ancient watercolors.

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